(Westfield-Marriott "terror" attacks in bold)
I'd like to show you a "cipher included" word code used by the Westfield and Marriott companies; they use virtually the same one. We'll start with the word Westfield.
LEARN TO LOOK BEYOND WHAT WE ARE TOLD TO LEARN...
“DR. GREEN (Dr. Joseph Mengele): The most significant programmer, perhaps one could give him the title of the father of Monarch Programming was Joseph Mengele, an ex-Nazi Concentration Camp doctor. Thousands of Monarch mindcontrolled slaves in the U.S. had “Dr. Green” as their chief programmer. “1
“Dr. Joseph Mengele of Auschwitz notoriety was the principle developer of the trauma-based Monarch Project and the CIA’s MK Ultra mind control programs. Mengele and approximately 5, 000 other high ranking Nazis were secretly moved into the United States and South America in the aftermath of World War II in an Operation designated Paperclip. The Nazis continued their work in developing mind control and rocketry technologies in secret underground military bases. The only thing we were told about was the rocketry work with former Nazi star celebrities like Warner Von Braun. The killers, torturers, and mutilators of innocent human beings were kept discretely out of sight, but busy in U.S. underground military facilities which gradually became home to thousands upon thousands of kidnapped American children snatched off the streets (about one million per year) and placed into iron bar cages stacked from floor to ceiling as part of the ‘training’. These children would be used to further refine and perfect Mengele’s mind control technologies. Certain selected children (at least the ones who survived the ‘training’) would become future mind controlled slaves who could be used for thousands of different jobs ranging anywhere from sexual slavery to assassinations. A substantial portion of these children, who were considered expendable, were intentionally slaughtered in front of (and by) the other children in order to traumatize the selected trainee into total compliance and submission 2.
“What I can say is I now believe that ritual-abuse programming is widespread, is systematic, is very organized from highly esoteric information which is published no-where, has not been on any book or talk show, that we have found it all around this country and at least one foreign country.
People say, “What’s the purpose of it?” My best guess is that the purpose of it is that they want an army of Manchurian Candidates, ten of thousands of mental robots who will do prostitution, do movies, smuggle narcotics, engage in international arms smuggling, all sorts of very lucrative things, and do their bidding and eventually the megalomaniacs at the top believe they’ll create a Satanic Order that will rule the world”. 4
“Trauma-based mind control programming can be defined as systematic torture that blocks the victim’s capacity for conscious processing (through pain, terror, drugs, illusion, sensory deprivation, sensory over-stimulation, oxygen deprivation, cold, heat, spinning, brain stimulation, and often, near-death), and then employs suggestion and/or classical and operant conditioning (consistent with well-established behavioral modification principles) to implant thoughts, directives, and perceptions in the unconscious mind, often in newly-formed trauma-induced dissociated identities, that force the victim to do, feel, think, or perceive things for the purposes of the programmer. The objective is for the victim to follow directives with no conscious awareness, including execution of acts in clear violation of the victim’s moral principles, spiritual convictions, and volition.
Installation of mind control programming relies on the victim’s capacity to dissociate, which permits the creation of new walled-off personalities to “hold” and “hide” programming. Already dissociative children are prime “candidates” for programming”. 5
“One of the primary reasons that the Monarch mind-control programming was named Monarch programming was because of the Monarch butterfly. The Monarch butterfly learns where it was born (its roots) and it passes this knowledge via genetics on to its offspring (from generation to generation). This was one of the key animals that tipped scientists off, that knowledge can be passed genetically. The Monarch program is based upon Illuminati and Nazi goals to create a Master race in part through genetics. If knowledge can be passed genetically (which it is), then it is important that parents be found that can pass the correct knowledge onto those victims selected for the Monarch mind control.” 6
“When a person is undergoing trauma induced by electroshock, a feeling of light-headedness is evidenced; as if one is floating or fluttering like a butterfly. There is also a symbolic representation pertaining to the transformation or metamorphosis of this beautiful insect: from a caterpillar to a cocoon (dormancy, inactivity), to a butterfly (new creation) which will return to its point of origin. Such is the migratory pattern that makes this species unique.” 7
“The basis for the success of the Monarch mind-control programming is that different personalities or personality parts called alters can be created who do not know each other, but who can take the body at different times. The amnesia walls that are built by traumas, form a protective shield of secrecy that protects the abusers from being found out, and prevents the front personalities who hold the body much of the time to know how their System of alters is being used. The shield of secrecy allows cult members to live and work around other people and remain totally undetected. The front alters can be wonderful Christians, and the deeper alters can be the worst type of Satanic monster imaginable–a Dr. Jekyll/Mr. Hyde effect. A great deal is at stake in maintaining the secrecy of the intelligence agency or the occult group which is controlling the slave. The success rate of this type of programming is high but when it fails, the failures are discarded through death. Each trauma and torture serves a purpose. A great deal of experimentation and research went into finding out what can and can’t be done. Charts were made showing how much torture a given body weight at a given age can handle without death.” 9
“Due to the severe trauma induced through ECT, abuse and other methods, the mind splits off into alternate personalities from the core. Formerly referred to as Multiple Personality Disorder, it is presently recognized as Dissociative Identity Disorder and is the basis for MONARCH programming. Further conditioning of the victim’s mind is enhanced through hypnotism, double-bind coercion, pleasure-pain reversals, food, water, sleep and sensory deprivation, along with various drugs which alter certain cerebral functions”. 10
“As mentioned before, the hypnotist will find children easier to hypnotize if they know how to do it with small children. One method that is effective is to say to the small children, “Imagine you are watching a favorite television show.” This is why the Disney movies and the other shows are so important to the programmers. They are the perfect hypnotic tool to get the child’s mind to dissociate in the right direction. The programmers have been using movies since almost day one to help children learn the hypnotic scripts. For children they need to be part of the hypnotic process. If the hypnotist allows the child to make up his own imagery, the hypnotic suggestions will be stronger. Rather than telling the child the color of a dog, the programmer can ask the child. This is where the books and films shown the child assist in steering its mind in the right direction. If the hypnotist talks to a child, he must take extra precaution not to change the tone of his voice and to have smooth transitions. Most of the Disney films are used for programming purposes. Some of them are specifically designed for mind-control.” 12
By Brother Nathanael Kapner, Copyright 2010
WHO REALLY OWNS THE MEDIA
In 2010?
By Brother Nathanael Kapner, Copyright 2010
_____________________
“Even now this is attained by us inasmuch as all news items are received by a few agencies whose offices are entirely ours and will give publicity only to what we dictate to them,” the Protocols continue.
In other words, the mass media form for us our image of the world and then tell us what to think about that image. According to the Protocols, the way in which the news is covered — which items are emphasized and which are played down — serve the interests of the media-masters, the Jews, and not the interests of the “Goyim.”
Today, the Protocols are being practiced by an elite group of Jews who own America’s mass media. If you hear of major corporations listed as owners of the major television networks with Gentile sounding names such as “General Electric” or “Westinghouse,” it is part of Jewry’s ploy to place a blindfold over the eyes of the Goyim.
An open and shut case can be made that the media in 2010 is NOT “Corporate-owned,” as so many fearful political analysts put it, but rather, “Jew-owned.” This author does not fear the Jews and needs no pleasing euphemisms agreeable to Jewish ears.
So long as the Jews control America’s media they will control our politicians and the policies they make. We will not be able to shut down the welfare system, control our borders, or restore Christian values to our society so long as the Jewish media-masters make Americans feel “intolerant” for wanting to do these things.
So long as the Jews funnel the information flow they will be able to keep Americans confused and divided so that we cannot regain command of our government by democratic means. For in a “democracy,” government control is offered to the highest bidder, that is, Jews with their billions of dollars. And the issues that the American cattle vote on are those that the Jewish propagandists define so as to serve Jewish interests only.
IN A DEAL THAT GAVE COMCAST TOTAL CONTROL OF NBC on December 3, 2009, the cable company took 51% controlling ownership of the television media giant.
Partner to the deal, General Electric, managed to keep a subservient 49% holding.
In Comcast’s press release of the takeover, the cable giant announced that Jeff Zucker, a Jew, was appointed the CEO of NBC Universal, of which, Comcast is now in charge. View Entire Story Here, Here & Here.
The owner of Comcast is the Jew, Brian Roberts, whose supporting staff includes a host of Jewish media functionaries. The Executives of NBC Universal, now a division of Comcast, is also, like its parent company, predominated by a cadre of Jews.
Roberts himself has acquired eminent “Jewish credentials” — being a graduate of the Jewish-intensive Wharton School of Business — and a winner of silver medals as a squash player at the 1981 and 1985 Maccabiah Games in Israel.
Adding to his Jewish HIGH profile, Roberts serves as Chairman of the National Cable & Telecommunications Association and as a board member of The Bank of New York.
No wonder, then, that Roberts holds awards from the Simon Wiesenthal Center, the United Jewish Appeal of New York, and the Anti-Defamation League of B’nai B’rith. Perhaps this is why the Jewish Judge, David Tatel, ruled that Comcast has the right to censor downloads in the recent net neutrality case. View Entire Story Here, Here & Here.
IN A LANDMARK MERGER ON MAY 4, 2000, Sumner Redstone — a Jew, born Murray Rothstein — took controlling interest in Westinghouse Broadcasting’s CBC television.
The merger between Redstone’s Viacom and Westinghouse Broadcasting’s CBS network installed a new Board of Directors at CBS, mostly Jews, with Redstone as Chairman.
Redstone, probably the richest man in America, is currently the Chairman of both CBS Corporation and Viacom. View Entire Story Here, Here, & Here.
Not only does Redstone present the Jewish agenda on his media conglomerate as “public opinion” as outlined in the Protocols, he is also hell-bent on corrupting the morals of our nation via his MTV syndicated network, his Addicting Games, and his homosexual-lesbian TV station, LOGO, a division of MTV. View Conglomerate Holdings Here & Here.
ROUNDING OUT THE LIST OF JEWISH MEDIA MOGULS, we find Jews in HIGH propaganda places, such as: ABC, CNN, Newsweek, Time, Washington Post, NY Times, Wall Street Journal, and US News & World Report.
ABC is owned by the Walt Disney Company, with the Jew, Robert Iger, installed as President. Sidney Bass, a Jew, along with his brothers, are the largest shareholders of The Walt Disney Company.
CNN is a holding of Time-Warner, of which, the Jewish Bronfman family has controlling interest. Time Magazine is also owned by Bronfmans’ Time Warner Corporation.
Newsweek and the Washington Post are owned by the Eugene Isaac Meyer “Graham” family. Meyer, who worked for Lazard Freres Bank, where his father was a partner, later became the director of Woodrow Wilson’s War Finance Corporation. Hoover appointed him as Chairman of the Jewish-owned Federal Reserve in the 1930’s.
Eugene Isaac Meyer gave birth to his heir, Katherine Meyer, who later took on her husband’s surname, “Graham.” Her son, Donald Graham, is the current Chairman of all Meyer-Graham concerns. View Entire Story Here, Here, & Here.
Rupert Murdoch, a full-fledged Zionist, whose origins are Jewish, is the owner of News Corporation, whose holdings include the Fox News Channel and the Wall Street Journal.
The New York Times is owned by the powerful Jewish Sulzberger family, the major influence behind Columbia University. Arthur Sulzberger Jr is the current Chairman of the newspaper.
US News & World Report is owned by the real estate mogul, Mortimer Zuckerman, who is a “higher education financier.” Making Gentile institutions, such as Harvard University, generators of Jewish academics to be installed in government propaganda chairs, is Zuckerman’s apparent mission.
Heath Ledger’s last movie is a mind-boggling one. From its enigmatic storyline to the mysteries surrounding its production, “The Imaginarium of Doctor Parnassus” deserves to be duly explored. An interpretation of its rich symbolism reveals to the viewers timeless esoteric truths as well as coded references to today’s occult cryptocracy. This article looks at the mystical meaning of the “The Imaginarium of Doctor Parnassus” and the sacrificial nature of Heath Ledger’s death.
It seems the last movies of actors who die prematurely are often heavily symbolic. A single viewing of the trailer for The Imaginarium of Doctor Parnassus was sufficient to convince me of the movie’s deep esoteric undertones. Terry Gilliam’s productions have often dealt with occult themes, but this one seemed unusually flagrant. I was therefore looking forward to the movie’s reviews and the potential discussions it would engender. However, I found nothing but superficial blurbs and critiques talking about a “fantastic adventure” or something of the sort. So I watched the movie to see if I misjudged the trailer and, after the first minute and a half, all of my doubts evaporated. The movie begins with a man (Anton) dressed as Mercury (“Hermes” of the Greeks and “Thoth” of the Egyptians) announcing Dr. Parnassus, who is dressed as a monk, holding a lotus flower, a symbol of Eastern mysticism. Pretty esoteric. We’ll first look at the underlying meaning of the movie and follow with the strange symbols relating to Heath Ledger’s death.
The premise of The Imaginarium of Doctor Parnassus conceals a meaning for those who, in the words of Anton playing Mercury, have “eyes to see and ears to hear”. Here’s a quick summary of the movie.
“The Imaginarium of Doctor Parnassus is a fantastical morality tale, set in the present day. It tells the story of Dr. Parnassus and his extraordinary ‘Imaginarium’, a traveling show where members of the audience get an irresistible opportunity to choose between light and joy or darkness and gloom. Blessed with the extraordinary gift of guiding the imaginations of others, Dr. Parnassus is cursed with a dark secret. Long ago he made a bet with the devil, Mr. Nick, in which he won immortality. Many centuries later, on meeting his one true love, D.r Parnassus made another deal with the devil, trading his immortality for youth, on condition that when his first-born reached its 16th birthday he or she would become the property of Mr. Nick.
Valentina is now rapidly approaching this ‘coming of age’ milestone and Dr. Parnassus is desperate to protect her from her impending fate. Mr. Nick arrives to collect but, always keen to make a bet, renegotiates the wager. Now the winner of Valentina will be determined by whoever seduces the first five souls. Enlisting a series of wild, comical and compelling characters in his journey, Dr. Parnassus promises his daughter’s hand in marriage to the man that helps him win. In this captivating, explosive and wonderfully imaginative race against time, Dr. Parnassus must fight to save his daughter in a never-ending landscape of surreal obstacles – and undo the mistakes of his past once and for all.”
-IMDB
The storyline revolves around a classic Faustian theme, in which Dr. Parnassus makes various bets with the Devil (played by Tom Waits) throughout his life. Looking deeper into the symbolism of the story, Dr. Parnassus and his traveling show are a metaphor for the esoteric teachings transmitted through the ages via Mystery schools. He is a human manifestation of the “path to enlightenment” of the Buddhists or the “inner-Christ” of the Gnostics. By inviting people into the magic mirror, he transports them onto the spiritual plane where they can choose between spiritual fulfillment and enlightenment (represented by a pyramid or a ladder, depending on the person) or ignorance and materialism (represented by a pub or a sleazy motel). Dr. Parnassus says “he transmits the story that sustains the universe,” which is a poetic way of saying that he is the vehicle for the secret teachings leading to illumination. He provides the path that allows the communion between humanity and divinity. The entire symbolism surrounding Paranassus’ theater is inspired by the esoteric teachings of the ancient Egyptians, Greeks, Buddhists and other esoteric schools. The stage contains many interesting occult symbols.
Parnassus’ name is also a reference to occult initiation. His name is derived from Mount Parnassus, the sacred mountain of the Dionysus, the Greek god of mystery religious rites (also known as the roman Bacchus). Mount Parnassus also contained the famed oracle of Delphi, the mystical site where people could obtain spiritual revelations.
As stated above, the story of the immortal Dr. Parnassus is analogous with the evolution of the Mysteries throughout History. This story was not always perfect and numerous influences have altered its course. There is a constant exchange in the movie between Dr. Parnassus and the Devil and it ultimately becomes evident that they actually need each other in order to exist and to stay relevant. Through their back and forth, they reenact the ancient principle of duality, the constant struggle opposing good versus evil and light versus darkness. This concept is visually represented by the Masonic black and white checkerboard pattern. While explaining his dealings with the Devil to his daughter, Dr. Parnassus explains in coded terms the nature of his essence. It can be found within Buddhist monks, in Jesus Christ and even in Freemasonry. He describes his first bet with the Devil as a competition to see who could first attract twelve disciples. Dr. Parnassus shows his daughter a book containing symbolic images.
Parnassus won that first bet, but he was tricked: the Devil let him win. The Devil knew that, in due time, “nobody would want to hear Parnassus’ stories”. In other words, the Devil knew the world would spiral back into ignorance, ultimately finding itself in the spiritual state we are in today. Parnassus’ show (a metaphor for the path to Illumination) is now a strange novelty, a road-side curiosity that is ignored by most everyday people who are too busy to ponder on its teachings. Then comes Tony.
Found by Parnassus’ traveling troupe hanging under a bridge, Tony Liar (whose name is based on British Prime Minister Tony Blair) may or may not have been sent by the Devil. Despite his mysterious past, Tony is integrated into to the show and he quickly uses his charming yet dishonest ways to attract more people to the show. He is, however, focused on generating more money and is not interested in people’s spiritual salvation. He finally convinces Parnassus to change the style of the show to make it more modern and to change the audience to make it more … rich.
Tony tells Parnassus not to hide his “mind control thing”, to be bold and to reach the right kind of public. This is the result:
The new stage is set in an elegant shopping mall. There is also a change of philosophy: instead of asking for donations, there is box filled with money stating “Please Take Generously”. The bold marketing ploy pays off and those who experience the “other side of the mirror” come back totally fulfilled, leaving behind their money, fur coats and jewelry.
Tony himself finally experiences the joys of the spiritual plane and finds himself climbing the ladder to Illumination.
His climb is stopped however by his troublesome past (the Russian mafia) catching up to him, and the ladder breaks. Spiritual enlightenment cannot be obtained by just anyone. He has however tasted the feeling of “being like a god”.
While The Imaginarium of Doctor Parnassus communicates an inspiring spiritual message, there is a rather grim side to the movie that relates to Heath Ledger’s death. The concept of duality is present within the movie itself where the tales of illumination are mixed with references to black magic and sacrificial death. Good and evil struggle again. The numerous references to death during the movie could be interpreted as a tribute to Heath Ledger, but, as Terry Gilliam states, none of the script was rewritten after the tragedy. Here is an excerpt of the director’s interview with Last Broadcast:
The film is terribly poignant film to watch now because of the loss of Heath.
Yes, it is.
And there are the references to death in the film that seem terribly poignant in the light of what happened. Did you re-emphasise any of that after his death?The references to death were all in the original script, which people don’t understand. They all thought we had written this stuff after Heath had died and no, we didn’t change any of the words. And that to me is what’s so kind of scary and spooky – why was it so prescient? It seemed to be all about death, it’s so much of it.
Source
Not only there are many references to death, there are many references to sacrificial death. Knowing the odd circumstances in which Ledger lost his life, could his death be the result of a ritual sacrifice? Are there codes within the movie relating to it? This might sound improbable to the average person but, to the initiate of the occult practices of the entertainment industry, it is a definite possibility. The observations presented here might be coincidences or they might be signs placed on purpose. One thing is for sure: they are there. The first person that seemed freaked out by this was the director himself, who was apparently a friend of Ledger. In his interview with Sun Media, Gilliam stated:
“There are forces at work on this film, don’t get me into my mystical mode … but the film made itself and it was co-directed by Heath Ledger!”
Why is he implying that other forces were at work during the creation of this movie?
Right before the traveling troupe finds Tony hanging under a bridge, Dr Parnassus pulls out the Tarot card of the Hanged Man. It predicted what was about to happen but the occult significance of the card is even more relevant:
“Esoterically, the Hanged Man is the human spirit which is suspended from heaven by a single thread. Wisdom, not death, is the reward for this voluntary sacrifice during which the human soul, suspended above the world of illusion, and meditating upon its unreality, is rewarded by the achievement of self-realization.”
- Manly P. Hall, The Secret Teachings of All Ages
The Hanged Man indeed refers to the myth of the dying god who is committing the ultimate sacrifice in order to attain immortality.
“There is present in the rituals similarities of concepts or beliefs. In the ancient tradition it was believed that through the connection of the body and blood of the Slain God that the people became one with the deity. In the “Last Supper” Jesus declare that the bread and wine were his body and blood, which he gave up for the salvation of the people. Blood was believed to contain the life force. The death of the king freed the inner spirit. Through the distribution of his body and blood, heaven and earth were united and his vital energy renewed the kingdom.
The appearances of the Slain God have taken on various aspects throughout the ages. His images can be seen in the Jack-in-the-Green, the Hooded Man, the Hanged Man of the Tarot, the Lord of Vegetation, the Harvest, and the free untamed aspect of the forest.”
- Source
Anton and Valentina then find Tony hanging beneath Blackfriars Bridge.
This scene is inspired by the actual 1982 hanging of Roberto Calvi (dubbed “God’s banker” due to his relations with the Vatican). The hanging took place under the exact same bridge. Although never publicly confirmed, there are strong theories that Roberto Calvi’s death was a symbolic and ritualistic murder carried out by the black masonic lodge called Propaganda Due, also referred to as P2. The name of the bridge is very significant:
“Mr. Calvi’s investigation indicates that his father was strangled, before his body was weighted and suspended underneath Blackfriars Bridge, probably by people who were in a small boat. The choice of bridge may have been significant: the P2 members referred to themselves as “frati neri” – black friars.”-Source
Tony’s forehead bears strange occult markings, as if to further the sense of ritualistic murder in the minds of the viewers.
Why did the directors pay homage to this symbolic murder?
In an eerie scene where Tony (played by Johnny Depp) guides a rich woman through her fantasy world, three boats appear bearing the pictures of Rudolph Valentino, James Dean and Princess Diana, three public figures who died prematurely.
Tony urges the rich woman to follow their path and to embark on a gondola bearing the head of Anubis, the god of the Dead. The woman sees the pictures and says:
“All these people … they’re all dead.”
Tony replies:
“Yes … but immortal nevertheless. They won’t get old or fat. They won’t get sick or feeble. They are beyond fear because they are … forever young. They’re gods … and you can join them.”
He then adds:
“Your sacrifice must be pure.”
All of this is said by Johnny Depp, the actor who replaced Heath Ledger after his premature death. The least I can say is this: strange coincidence. The esoteric meaning of the scene alludes to the dying of the old self in order to give birth to the new, spiritual self. Spiritually, however, this metamorphosis is however obtained through self-sacrifice and personal work, not by dying young. The public figures on the boats all died in “mysterious” circumstances. What is the relation?
I wrote an article last year, Princess Diana’s Death and Memorial: The Occult Meaning, in which I explore the possible sacrificial nature of her death and the “goddess” symbolism surrounding her memorial. Did the same thing happen with Ledger?
Occultists believe that occult rituals, by definition, must have an audience. The greater the number of witnesses, the better, as they give those who execute the rituals more power and potency. Was Ledger’s death a mega-ritual?
Many movies in Heath Ledger’s career have revolved around occult themes, whether The Order, The Brothers Grimm or The Imaginarium of Dr Parnassus. Despite this last movie’s positive moral lesson, it almost seems to have been written with prior knowledge of his death. There is a definite aura surrounding this actor and the mysterious circumstances around his death only further this feeling. Terry Gilliam said about Heath:
“Everyone said he died young, but I think he was about 150 when he died. This was not a kid. There was wisdom there. I didn’t know where it came from – none of us knew – but everybody that was close to him says the same thing.”
People close to Ledger observed a strange transformation in him during the filming of Batman: The Dark Knight. Shortly before his death, he posed for this artwork painted by his friend Vincent Fantauzzo.
The artist depicted Heath surrounded by two ‘mind spirits’ whispering into his ears. Vincent said the whispering spirits represent Heath’s inner thoughts. What was going on in his head? Was he victim of mind control or possession? Was he sacrificed by an occult brotherhood? No positive answer can be given at this point and time. All I can say for now is Heath Ledger’s last line in the film, and his last ever as an actor: Don’t shoot the messenger.