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Showing posts with label Occultism and Media. Show all posts
Showing posts with label Occultism and Media. Show all posts

Saturday, July 21, 2012

Insurance Pays Off for Companies With Occult Logos

An article from 2010 by Glenn Bullock 


Westfield-Group-boss-Frank-Lowy.jpg(left, Westfield Chief Frank Lowy talks shop with office boy, Gordon Brown)







(Westfield-Marriott "terror" attacks in bold)


This is a story about the occult symbolism in the logos of two prominent real estate companies, Westfield Group and Marriott Hotels, and how both have been the target of "terrorist" attacks from which they profited handsomely, thanks to their insurance.

I'd like to show you a "cipher included" word code used by the Westfield and Marriott companies; they use virtually the same one. We'll start with the word Westfield.

The Westfield Company is the world's largest publicly listed retail property group. They are Larry Silverstein's partner at the World Trade Center. The thing to notice with this logo is the unusual font type. It's unique, no other font type has an f so large it obscures another letter; in this case the dot above the i is removed to make room for it!

This is the clue that reveals the cipher; it shows 'dots removed'! How to apply that to discover the puzzle's meaning is next! We have to find where the dots have been removed and replace them to progress!

The W used in Westfield is unlike western W's, because it isn't singularly that! W in that font is also a Hebrew letter that makes two sounds. The letter is called Shin or Sin.
                         
If a dot were placed above the right hand upright the letter is Shin, it makes the Sh sound. If a dot is placed above the left hand upright it's called Sin, and makes the Sss sound. If dots were placed over both we have Shh and Sss. 

Shh means secret and Ssss represents the serpent, Secret Serpent, but only when dots are replaced. Stick with me it builds! 

The Hebrew letter Shin/Sin has a special meaning for Jews as its three upright lines represent the three valleys that converge on Jerusalem! The letter Shin/Sin with dots replaced is Secret Serpent of Jerusalem!

It goes a little deeper yet! Take a look at the middle letters  t f i  on the Westfield logo. They join to form the letter M. A central figure in Serpent Cult (Illuminati) worship is Moloch. The singular use of M represents Moloch.

Moloch was worshiped by the Ammonite tribe who lived in Canaan before Moses and Joshua showed up. The following troubled period of years were called "the mingling", during which time the tribes and knowledge of Jews and Ammonites mingled to some degree! This mingled knowledge is an integral part of modern Freemasonry!

        The Masonic Pillars of Wisdom, Strength and Beauty
forming the letter Shin.

So far in the word puzzle we see 'Secret Serpent of Jerusalem' and 'Moloch,' encrypted and represented in the one word, Westfield, but there's a little more yet. 

The word Westfield refers to a significant Occult place. The Egyptians believed it was bad medicine to have the Sun cast the shadow of the dead Pharaohs over the land in the morning or day; so they always buried them to the west of the Nile, in the west field. 

The shadow of the dead was then cast over the land at night from the west field, when Horus the Sun was killed each night by his opposite, Set, at Sun-Set. Westfield in the Egyptian tradition means place of the death of Horus and, place of the buried dead. Egyptian traditions are also an integral part of modern Freemasonry, which is the religion of Zionism!

Adding together the components of the Westfield word puzzle we get Secret Serpent of Jerusalem place of death/dead, with honor to Moloch a god of Human sacrifice shown in the manufactured M, to whom the sacrifice is traditionally 'passed through the flames unto Moloch'!

The Marriott Company uses virtually the same W type as Westfield, but flipped over to an M for their logo; which includes the encrypted 'Secret Serpent of Jerusalem'. The dot of the i of the Marriott logo is simply omitted to show dots removed.

I think the Marriott Family Company and Westfield have attracted some bad luck using these symbols. They must be the unluckiest property owners in the world!
  
Westfield has had so much bad luck:

9/11: New York, WTC complex buildings one, two, seven and Westfield Hotel demolished in terror attack.  Silverstein and Westfield pocketed $4.5 Billion from 9/11.

21 Sept 05: Westfield Mall, Perth, Australia: bomb scare.

17 May 06: Westfield, Woden, Australia: bomb scare

21 July 07: Court house adjacent Westfield Centre Derby, England: bomb scare causing evacuation of Westfield premises.

01 March 08: Westfield Old Orchard Mall, Skokie, Illinois: bomb scare.

20 April 09: Westfield Hotel Annapolis: bomb scare during Americas next top model competition.

Marriott have also had such bad luck I thought I'd list it:

20 Sept' 08: Marriott Hotel, Islamabad, Pakistan: blown up.

17 July 08: Marriott Hotel, Jakarta: blown up.

17 July 08: Ritz Carlton Hotel, Jakarta: blown up.
Further investigation revealed the Ritz Carlton Company is owned by Marriott!

You may think at this stage that the cipher included word code and I are nuts; but you'll have to agree with me that to lose the Twin Towers, Building Seven, the WTC complex Westfield Hotel, the Islamabad Marriott, the Jakarta Marriott and the Marriott owned Jakarta Ritz Carlton, on top of all those bomb scares, is a really bad run of luck between the Westfield and Marriott companies!

Just to add to the fun the 2008 Bilderberg group meeting was held in Chantilly Virginia at the Westfields Marriott Hotel. Aren't we lucky it didn't blow up!

In February 2009 Westfield owned 119 shopping malls worldwide. One of them is in my home City Derby, England. The Westfield shopping centre is built on an ancient Druid sacrifice site in the City Centre called "The Spot." Westfield also recently built a Hotel in Cannock, England; it is a huge four sided Owl which represents Moloch of Canaan, Arianrhod the Owl god of the Druids and Minerva of the Greek tradition, it is also built on an ancient Druid sacrifice site! These sites are not thick on the ground! 

If any person out there knows of any other points of interest or 'terror incidents' involving Westfield, Marriott or other companies they own, please let me know at glenndavbull@hotmail.co.uk Because they do seem to have a lot of bad luck!

Wednesday, January 11, 2012

Origins and Techniques of Monarch Mind Control

 Secretarcana.com


Monarch Programming is a method of mind control used by numerous organizations for covert purposes. It is a continuation of project MK-ULTRA, a mind-control program developed by the CIA, and tested on the military  and civilians. The methods are astonishingly sadistic (its entire purpose is to traumatize the victim)  and  the expected results are horrifying: The creation of a mind-controlled slave who can be triggered at anytime to perform any action required by the handler.  While mass media ignores this issue, over 2 million Americans have gone through the horrors of this program. This article looks at the origins of Monarch programming and some of its methods and symbolism.

NOTE: This article contains disturbing elements and might trigger Monarch survivors.

Monarch programming is a mind-control technique comprising elements of Satanic Ritual Abuse (SRA) and Multiple Personality Disorder (MPD). It utilizes a combination of psychology, neuroscience and occult rituals to create within the slaves an alter persona that can be triggered and programmed by the handlers. Monarch slaves are used by several organizations connected with the world elite in fields such as the military, sex slavery and the entertainment industry. This article will look at the origins of Monarch programming, its techniques and its symbolism.

Origins

Throughout the course of history, several accounts have been recorded describing rituals and practices resembling mind control. One of the earliest writings giving reference to the use of occultism to manipulate the mind can be found in the Egyptian Book of the Dead. It is a compilation of rituals, heavily studied by today’s secret societies, which describes methods of torture and intimidation (to create trauma), the use of potions (drugs) and the casting of spells (hypnotism), ultimately resulting in the total enslavement of the initiate. Other events ascribed to black magic, sorcery and demon possession (where the victim is animated by an outside force) are also ancestors of Monarch programming.

It is, however, during the 20th century that mind control became a science in the modern sense of the term, where thousands of subjects have been systematically observed, documented and experimented on.

One of the first methodical studies on trauma-based mind control were conducted by Josef Mengele, a physician working in Nazi concentration camps. He initially gained notoriety for being one of the SS physicians who supervised the selection of arriving prisoners, determining who was to be killed and who was to become a forced labourer. However, he is mostly known for performing grisly human experiments on camp inmates, including children, for which Mengele was called the “Angel of Death”.

Joseph Mengele, 1935
Mengele is infamous for his sordid human experiments on concentration camps prisoners, especially on twins. A part of his work that is rarely mentioned  however, is his research on mind control. Much of his research in this field was confiscated by the Allies and is still classified to this day.
“DR. GREEN (Dr. Joseph Mengele): The most significant programmer, perhaps one could give him the title of the father of Monarch Programming was Joseph Mengele, an ex-Nazi Concentration Camp doctor. Thousands of Monarch mindcontrolled slaves in the U.S. had “Dr. Green” as their chief programmer. “1
“Dr. Joseph Mengele of Auschwitz notoriety was the principle developer of the trauma-based Monarch Project and the CIA’s MK Ultra mind control programs. Mengele and approximately 5, 000 other high ranking Nazis were secretly moved into the United States and South America in the aftermath of World War II in an Operation designated Paperclip. The Nazis continued their work in developing mind control and rocketry technologies in secret underground military bases. The only thing we were told about was the rocketry work with former Nazi star celebrities like Warner Von Braun. The killers, torturers, and mutilators of innocent human beings were kept discretely out of sight, but busy in U.S. underground military facilities which gradually became home to thousands upon thousands of  kidnapped American children snatched off the streets (about one million per year) and placed into iron bar cages stacked from floor to ceiling as part of the ‘training’. These children would be used to further refine and perfect Mengele’s mind control technologies. Certain selected children (at least the ones who survived the ‘training’) would become future mind controlled slaves who could be used for thousands of different jobs ranging anywhere from sexual slavery to assassinations. A substantial portion of these children, who were considered expendable, were intentionally slaughtered in front of (and by) the other children in order to traumatize the selected trainee into total compliance and submission 2.
Mengele’s research served as a basis for the covert, illegal CIA human research program named MK-ULTRA.

MK-ULTRA

Declassified MK-Ultra document
Project MK-ULTRA ran from the early 1950s to at least the late 1960s, using American and Canadian citizens as its test subjects. The published evidence indicates that Project MK-ULTRA involved the use of many methodologies to manipulate individual mental states and alter brain functions, including the surreptitious administration of drugs and other chemicals, sensory deprivation, isolation, and verbal and physical abuse.

The most publicized experiments conducted by MK-ULTRA involved the administration of LSD on unwitting human subjects, including CIA employees, military personnel, doctors, other government agents, prostitutes, mentally ill patients, and members of the general public, in order to study their reactions.

However, the scope of MK-ULTRA does not however stop. Experiments involving violent electroshocks, physical and mental torture and abuse were used in a systematic matter on many subjects, including children.

Declassified picture of a young MK-ULTRA subject, 1961.
Although the admitted goals of the projects were to develop torture and interrogation methods to use on the country’s enemies, some historians asserted that the project aimed to create “Manchurian Candidates”, programmed to perform various acts such as assassinations and other covert missions.

MK-ULTRA was brought to light by various commissions in the 1970s, including the Rockefeller Commission of 1975. Although it is claimed that the CIA stopped such experiments after these commissions, some whistle-blowers have come forth stating that the project simply went “underground” and Monarch Programming has become the classified successor of MK-ULTRA.

The most incriminating statement to date made by a government official as to the possible existence of Project MONARCH was extracted by Anton Chaitkin, a writer for the publication The New Federalist. When former CIA Director William Colby was asked directly, “What about monarch?” he replied angrily and ambiguously, “We stopped that between the late 1960s and the early 1970s.” 3.

MONARCH PROGRAMMING

Although there has never been any official admittance of the existence  of Monarch programming, prominent researchers have documented the systematic use of trauma on subjects for mind-control purposes. Some survivors, with the help of dedicated therapists, were able to “deprogram” themselves to then go on record and disclose the horrifying details of their ordeals.

Monarch slaves are mainly used by organizations to carry out operations using patsies trained to perform specific tasks, who do not question orders, who do not remember their actions and, if discovered, who automatically commit suicide. They are the perfect scapegoats for high-profile assassinations (see Sirhan Sirhan), the ideal candidates for prostitution, slavery and private movie productions. They are also the perfect puppet performers for the entertainment industry.
“What I can say is I now believe that ritual-abuse programming is widespread, is systematic, is very organized from highly esoteric information which is published no-where, has not been on any book or talk show, that we have found it all around this country and at least one foreign country.

People say, “What’s the purpose of it?” My best guess is that the purpose of it is that they want an army of Manchurian Candidates, ten of thousands of mental robots who will do prostitution, do movies, smuggle narcotics, engage in international arms smuggling, all sorts of very lucrative things, and do their bidding and eventually the megalomaniacs at the top believe they’ll create a Satanic Order that will rule the world”. 4
Monarch programmers cause intense trauma to subjects through the use of electroshock, torture, abuse and mind games in order to force them to dissociate from reality – a natural response in  some people when then are faced with unbearable pain. The subject’s ability to dissociate is a major requirement and it is ,apparently, most readily found in children that come from families with multiple generations of abuse. Mental dissociation enables the handlers to create walled-off personas in the subject’s psyche, which can then be programmed and triggered at will.
“Trauma-based mind control programming can be defined as systematic torture that blocks the victim’s capacity for conscious processing (through pain, terror, drugs, illusion, sensory deprivation, sensory over-stimulation, oxygen deprivation, cold, heat, spinning, brain stimulation, and often, near-death), and then employs suggestion and/or classical and operant conditioning (consistent with well-established behavioral modification principles) to implant thoughts, directives, and perceptions in the unconscious mind, often in newly-formed trauma-induced dissociated identities, that force the victim to do, feel, think, or perceive things for the purposes of the programmer. The objective is for the victim to follow directives with no conscious awareness, including execution of acts in clear violation of the victim’s moral principles, spiritual convictions, and volition.

Installation of mind control programming relies on the victim’s capacity to dissociate, which permits the creation of new walled-off personalities to “hold” and “hide” programming. Already dissociative children are prime “candidates” for programming”. 5
Monarch mind control is covertly used by various groups and organizations for various purposes. According to Fritz Springmeier, these groups are known as “The Network” and form the backbone of the New World Order.

ORIGINS OF THE NAME

Monarch mind control is named after the Monarch butterfly – an insect who begins its life as a worm (representing undeveloped potential) and, after a period of cocooning (programming) is reborn as a beautiful butterflies (the Monarch slave). Some characteristics specific to the Monarch butterfly are also applicable to mind control.
“One of the primary reasons that the Monarch mind-control programming was named Monarch programming was because of the Monarch butterfly. The Monarch butterfly learns where it was born (its roots) and it passes this knowledge via genetics on to its offspring (from generation to generation). This was one of the key animals that tipped scientists off, that knowledge can be passed genetically. The Monarch program is based upon Illuminati and Nazi goals to create a Master race in part through genetics. If knowledge can be passed genetically (which it is), then it is important that parents be found that can pass the correct knowledge onto those victims selected for the Monarch mind control.” 6
“When a person is undergoing trauma induced by electroshock, a feeling of light-headedness is evidenced; as if one is floating or fluttering like a butterfly. There is also a symbolic representation pertaining to the transformation or metamorphosis of this beautiful insect: from a caterpillar to a cocoon (dormancy, inactivity), to a butterfly (new creation) which will return to its point of origin. Such is the migratory pattern that makes this species unique.” 7

METHOD

The victim/survivor is called a “slave” by the programmer/handler, who in turn is perceived as “master” or “god.” About 75% are female, since they possess a higher tolerance for pain and tend to dissociate more easily than males. Monarch handlers seek the compartmentalization of their subject’s psyche in multiple and separate alter personas using trauma to cause dissociation.

The following is a partial list of these forms of torture:
1. Abuse and torture
2. Confinement in boxes, cages, coffins, etc, or burial (often with an opening or air-tube for oxygen)
3. Restraint with ropes, chains, cuffs, etc.
4. Near-drowning
5. Extremes of heat and cold, including submersion in ice water and burning chemicals
6. Skinning (only top layers of the skin are removed in victims intended to survive)
7. Spinning
8. Blinding light
9. Electric shock
10. Forced ingestion of offensive body fluids and matter, such as blood, urine, feces, flesh, etc.
11. Hung in painful positions or upside down
12. Hunger and thirst
13. Sleep deprivation
14 Compression with weights and devices
15. Sensory deprivation
16. Drugs to create illusion, confusion, and amnesia, often given by injection or intravenously
17. Ingestion or intravenous toxic chemicals to create pain or illness, including chemotherapy agents
18. Limbs pulled or dislocated
19. Application of snakes, spiders, maggots, rats, and other animals to induce fear and disgust
20. Near-death experiences, commonly asphyxiation by choking or drowning, with immediate resuscitation
22. Forced to perform or witness abuse, torture and sacrifice of people and animals, usually with knives
23. Forced participation in slavery
24. Abuse to become pregnant; the fetus is then aborted for ritual use, or the baby is taken for sacrifice or enslavement
25. Spiritual abuse to cause victim to feel possessed, harassed, and controlled internally by spirits or demons
26. Desecration of Judeo-Christian beliefs and forms of worship; dedication to Satan or other deities
27. Abuse and illusion to convince victims that God is evil, such as convincing a child that God has abused her
28. Surgery to torture, experiment, or cause the perception of physical or spiritual bombs or implants
29. Harm or threats of harm to family, friends, loved ones, pets, and other victims, to force compliance
30. Use of illusion and virtual reality to confuse and create non-credible disclosure 8.
“The basis for the success of the Monarch mind-control programming is that different personalities or personality parts called alters can be created who do not know each other, but who can take the body at different times. The amnesia walls that are built by traumas, form a protective shield of secrecy that protects the abusers from being found out, and prevents the front personalities who hold the body much of the time to know how their System of alters is being used. The shield of secrecy allows cult members to live and work around other people and remain totally undetected. The front alters can be wonderful Christians, and the deeper alters can be the worst type of Satanic monster imaginable–a Dr. Jekyll/Mr. Hyde effect. A great deal is at stake in maintaining the secrecy of the intelligence agency or the occult group which is controlling the slave. The success rate of this type of programming is high but when it fails, the failures are discarded through death. Each trauma and torture serves a purpose. A great deal of experimentation and research went into finding out what can and can’t be done. Charts were made showing how much torture a given body weight at a given age can handle without death.” 9
“Due to the severe trauma induced through ECT, abuse and other methods, the mind splits off into alternate personalities from the core. Formerly referred to as Multiple Personality Disorder, it is presently recognized as Dissociative Identity Disorder and is the basis for MONARCH programming. Further conditioning of the victim’s mind is enhanced through hypnotism, double-bind coercion, pleasure-pain reversals, food, water, sleep and sensory deprivation, along with various drugs which alter certain cerebral functions”. 10
Dissociation is thus achieved by traumatizing the subject, using systematic abuse and using terrifying occult rituals. Once a split in the core personality occurs, an “internal world” can be created and alter personas can be programmed using tools such as music, movies (especially Disney productions) and fairy tales. These visual and audio aids enhance the programming process using images, symbols, meanings and concepts. Created alters can then be accessed using trigger words or symbols programmed into the subject’s psyche by the handler. Some of the most common internal images seen by mind control slaves are trees, Cabalistic Tree of life, infinity loops, ancient symbols and letters, spider webs, mirrors, glass shattering, masks, castles, mazes, demons, butterflies, hour glasses, clocks and robots. These symbols are commonly inserted in popular culture movies and videos for two reasons: to desensitize the majority of the population, using subliminals and neuro-linguistic programming and to deliberately construct specific triggers and keys for base programming of highly-impressionable MONARCH children. 11 Some of the movies used in Monarch programming include The Wizard of Oz, Alice in Wonderland, Pinocchio and Sleeping Beauty .

The movie The Wizard of Oz is used by Monarch handlers to program their slaves. Symbols and meanings in the movie become triggers in the slave’s mind enabling easy access to the slave’s mind by the handler. In popular culture, veiled references to Monarch programming often use analogies to The Wizard of Oz and Alice in Wonderland.
In each case, the slave is given a particular interpretation of the movie’s storyline in order to enhance programming. For example, a slave watching The Wizard of Oz is taught that “somewhere over the rainbow” is the “happy place” dissociative trauma slaves must go to in order to escape the unbearable pain being inflicted upon them. Using the movie, programmers encourage slaves to go “over the rainbow” and dissociate, effectively separating their minds from their bodies.
“As mentioned before, the hypnotist will find children easier to hypnotize if they know how to do it with small children. One method that is effective is to say to the small children, “Imagine you are watching a favorite television show.” This is why the Disney movies and the other shows are so important to the programmers. They are the perfect hypnotic tool to get the child’s mind to dissociate in the right direction. The programmers have been using movies since almost day one to help children learn the hypnotic scripts. For children they need to be part of the hypnotic process. If the hypnotist allows the child to make up his own imagery, the hypnotic suggestions will be stronger. Rather than telling the child the color of a dog, the programmer can ask the child. This is where the books and films shown the child assist in steering its mind in the right direction. If the hypnotist talks to a child, he must take extra precaution not to change the tone of his voice and to have smooth transitions. Most of the Disney films are used for programming purposes. Some of them are specifically designed for mind-control.” 12

LEVELS OF MONARCH PROGRAMMING

The levels of Monarch Programming identify the slave’s “functions” and are named after the Electroencephalography (EEG) brainwaves associated with them.

Types of brain waves in EEG

Monitoring brain waves through the scalp
Regarded as “general” or regular programming,  ALPHA is within the base control personality. It characterized by extremely pronounced memory retention, along with substantially increased physical strength and visual acuity. Alpha programming is accomplished through deliberately subdividing the victims personality which, in essence, causes a left brain-right brain division, allowing for a programmed union of Left and Right through neuron pathway stimulation.

BETA is referred to as “sexual” programming (slaves). This programming eliminates all learned moral convictions and stimulates the primitive instinct, devoid of inhibitions. “Cat” alters may come out at this level. Known as Kitten programming, it is the most visible kind of programming as some female celebrities, models, actresses and singers have been subjected to this kind of programming. In popular culture, clothing with feline prints often denote Kitten programming.

DELTA is known as “killer” programming and was originally developed for training special agents or elite soldiers (i.e. Delta Force, First Earth Battalion, Mossad, etc.) in covert operations. Optimal adrenal output and controlled aggression is evident. Subjects are devoid of fear and very systematic in carrying out their assignment. Self-destruct or suicide instructions are layered in at this level.

THETA – Considered to the “psychic” programming. Bloodliners (those coming from multi-generational Satanic families) were determined to exhibit a greater propensity for having telepathic abilities than did non-bloodliners. Due to its evident limitations, however, various forms of electronic mind control systems were developed and introduced, namely, bio-medical human telemetry devices (brain implants), directed-energy lasers using microwaves and/or electromagnetics. It is reported these are used in conjunction with highly-advanced computers and sophisticated satellite tracking systems. 13

IN CONCLUSION

It is difficult to remain objective when describing the horrors endured by Monarch slaves. The extreme violence, the abuse, the mental torture and sadistic games inflicted on victims by “notable scientists” and high-level officials prove the existence of a true “dark side” in the powers that be. Despite the revelations, the documents and the whistle-blowers, a great majority of the population ignores, dismisses or avoids the issue altogether. Over two million Americans have been programmed by trauma mind-control since 1947 and the CIA publicly admitted its mind control projects in 1970. Movies such as The Manchurian Candidate have directly referred to the subject, even depicting actual  techniques, such as electroshock, the use of trigger words and microchip implementation. Several public figures we see on our TV and movie screens are mind control slaves. Famous people such as Candy Jones, Celia Imrie and Sirhan Sirhan have gone on record and disclosed their mind control experiences…and yet the general public claims that it “cannot exist”.

The research and funds invested in project Monarch do not however only apply to mind control slaves. Many of the programming techniques perfected in these experiments are applied on a mass scale through mass media. Mainstream news, movies, music videos, advertisements and television shows are conceived using the most advanced data on human behavior ever compiled. A lot of this comes from Monarch programming.
  1. Fritz Springmeier, The Illuminati Formula to Create a Mind Control Slave
  2. Ken Adachi, Mind Control the Ultimate Terror
  3. Anton Chaitkin, “Franklin Witnesses Implicate FBI and U.S. Elites in Torture and Murder of Children”, The New Federalist
  4. D. Corydon Hammond, Ph.D.
  5. Ellen P. Lacter, Ph.D., The Relationship Between Mind Control Programming and Ritual Abuse
  6. Ibid.
  7. Ron Patton, Project Monarch
  8. Ellen P. Lacter, Ph.D., Kinds of Torture Endured in Ritual Abuse and Trauma-Based Mind Control
  9. Springmeier, op. cit.
  10. Patton, op. cit.
  11. Ibid.
  12. Springmeier, op. cit.
  13. Patton, op. cit.

Tuesday, April 13, 2010

Who REALLY Owns The Media In 2010?


By Brother Nathanael Kapner, Copyright 2010

WHO REALLY OWNS THE MEDIA
In 2010?

By Brother Nathanael Kapner, Copyright 2010


_____________________


“NOT A SINGLE NEWS ITEM will reach the public without our control,” states the Protocols of the Learned Elders of Zion.

“Even now this is attained by us inasmuch as all news items are received by a few agencies whose offices are entirely ours and will give publicity only to what we dictate to them,” the Protocols continue.

In other words, the mass media form for us our image of the world and then tell us what to think about that image. According to the Protocols, the way in which the news is covered — which items are emphasized and which are played down — serve the interests of the media-masters, the Jews, and not the interests of the “Goyim.”

Today, the Protocols are being practiced by an elite group of Jews who own America’s mass media. If you hear of major corporations listed as owners of the major television networks with Gentile sounding names such as “General Electric” or “Westinghouse,” it is part of Jewry’s ploy to place a blindfold over the eyes of the Goyim.

An open and shut case can be made that the media in 2010 is NOT “Corporate-owned,” as so many fearful political analysts put it, but rather, “Jew-owned.” This author does not fear the Jews and needs no pleasing euphemisms agreeable to Jewish ears.

So long as the Jews control America’s media they will control our politicians and the policies they make. We will not be able to shut down the welfare system, control our borders, or restore Christian values to our society so long as the Jewish media-masters make Americans feel “intolerant” for wanting to do these things.

So long as the Jews funnel the information flow they will be able to keep Americans confused and divided so that we cannot regain command of our government by democratic means. For in a “democracy,” government control is offered to the highest bidder, that is, Jews with their billions of dollars. And the issues that the American cattle vote on are those that the Jewish propagandists define so as to serve Jewish interests only.

JEWS WREST CONTROL OF NBC

IN A DEAL THAT GAVE COMCAST TOTAL CONTROL OF NBC on December 3, 2009, the cable company took 51% controlling ownership of the television media giant.

Partner to the deal, General Electric, managed to keep a subservient 49% holding.

In Comcast’s press release of the takeover, the cable giant announced that Jeff Zucker, a Jew, was appointed the CEO of NBC Universal, of which, Comcast is now in charge. View Entire Story Here, Here & Here.

The owner of Comcast is the Jew, Brian Roberts, whose supporting staff includes a host of Jewish media functionaries. The Executives of NBC Universal, now a division of Comcast, is also, like its parent company, predominated by a cadre of Jews.

Roberts himself has acquired eminent “Jewish credentials” — being a graduate of the Jewish-intensive Wharton School of Business — and a winner of silver medals as a squash player at the 1981 and 1985 Maccabiah Games in Israel.

Adding to his Jewish HIGH profile, Roberts serves as Chairman of the National Cable & Telecommunications Association and as a board member of The Bank of New York.

No wonder, then, that Roberts holds awards from the Simon Wiesenthal Center, the United Jewish Appeal of New York, and the Anti-Defamation League of B’nai B’rith. Perhaps this is why the Jewish Judge, David Tatel, ruled that Comcast has the right to censor downloads in the recent net neutrality case. View Entire Story Here, Here & Here.

___________________
MERGERS & MONOPOLIES
CONFER JEWISH CONTROL

IN A LANDMARK MERGER ON MAY 4, 2000, Sumner Redstone — a Jew, born Murray Rothstein — took controlling interest in Westinghouse Broadcasting’s CBC television.

The merger between Redstone’s Viacom and Westinghouse Broadcasting’s CBS network installed a new Board of Directors at CBS, mostly Jews, with Redstone as Chairman.

Redstone, probably the richest man in America, is currently the Chairman of both CBS Corporation and Viacom. View Entire Story Here, Here, & Here.

Not only does Redstone present the Jewish agenda on his media conglomerate as “public opinion” as outlined in the Protocols, he is also hell-bent on corrupting the morals of our nation via his MTV syndicated network, his Addicting Games, and his homosexual-lesbian TV station, LOGO, a division of MTV. View Conglomerate Holdings Here & Here.

ROUNDING OUT THE LIST OF JEWISH MEDIA MOGULS, we find Jews in HIGH propaganda places, such as: ABC, CNN, Newsweek, Time, Washington Post, NY Times, Wall Street Journal, and US News & World Report.

ABC is owned by the Walt Disney Company, with the Jew, Robert Iger, installed as President. Sidney Bass, a Jew, along with his brothers, are the largest shareholders of The Walt Disney Company.

CNN is a holding of Time-Warner, of which, the Jewish Bronfman family has controlling interest. Time Magazine is also owned by Bronfmans’ Time Warner Corporation.

Newsweek and the Washington Post are owned by the Eugene Isaac Meyer “Graham” family. Meyer, who worked for Lazard Freres Bank, where his father was a partner, later became the director of Woodrow Wilson’s War Finance Corporation. Hoover appointed him as Chairman of the Jewish-owned Federal Reserve in the 1930’s.

Eugene Isaac Meyer gave birth to his heir, Katherine Meyer, who later took on her husband’s surname, “Graham.” Her son, Donald Graham, is the current Chairman of all Meyer-Graham concerns. View Entire Story Here, Here, & Here.

Rupert Murdoch, a full-fledged Zionist, whose origins are Jewish, is the owner of News Corporation, whose holdings include the Fox News Channel and the Wall Street Journal.

The New York Times is owned by the powerful Jewish Sulzberger family, the major influence behind Columbia University. Arthur Sulzberger Jr is the current Chairman of the newspaper.

US News & World Report is owned by the real estate mogul, Mortimer Zuckerman, who is a “higher education financier.” Making Gentile institutions, such as Harvard University, generators of Jewish academics to be installed in government propaganda chairs, is Zuckerman’s apparent mission.

It all adds up to one thing. Jews, who create “public opinion” for their own advantage, are the deans, directors, and dictators of Gentile actions. The Protocols tells us so…

Tuesday, April 6, 2010

“The Imaginarium of Doctor Parnassus” and Heath Ledger’s Sacrifice

Apr 5th, 2010 | By Vigilant | Category: Vigilant Reports

Heath Ledger’s last movie is a mind-boggling one. From its enigmatic storyline to the mysteries surrounding its production, “The Imaginarium of Doctor Parnassus” deserves to be duly explored. An interpretation of its rich symbolism reveals to the viewers timeless esoteric truths as well as coded references to today’s occult cryptocracy. This article looks at the mystical meaning of the “The Imaginarium of Doctor Parnassus” and the sacrificial nature of Heath Ledger’s death.


It seems the last movies of actors who die prematurely are often heavily symbolic. A single viewing of the trailer for The Imaginarium of Doctor Parnassus was sufficient to convince me of the movie’s deep esoteric undertones. Terry Gilliam’s productions have often dealt with occult themes, but this one seemed unusually flagrant. I was therefore looking forward to the movie’s reviews and the potential discussions it would engender. However, I found nothing but superficial blurbs and critiques talking about a “fantastic adventure” or something of the sort. So I watched the movie to see if I misjudged the trailer and, after the first minute and a half, all of my doubts evaporated. The movie begins with a man (Anton) dressed as Mercury (“Hermes” of the Greeks and “Thoth” of the Egyptians) announcing Dr. Parnassus, who is dressed as a monk, holding a lotus flower, a symbol of Eastern mysticism. Pretty esoteric. We’ll first look at the underlying meaning of the movie and follow with the strange symbols relating to Heath Ledger’s death.

The Esoteric Meaning of the Story

The premise of The Imaginarium of Doctor Parnassus conceals a meaning for those who, in the words of Anton playing Mercury, have “eyes to see and ears to hear”. Here’s a quick summary of the movie.

“The Imaginarium of Doctor Parnassus is a fantastical morality tale, set in the present day. It tells the story of Dr. Parnassus and his extraordinary ‘Imaginarium’, a traveling show where members of the audience get an irresistible opportunity to choose between light and joy or darkness and gloom. Blessed with the extraordinary gift of guiding the imaginations of others, Dr. Parnassus is cursed with a dark secret. Long ago he made a bet with the devil, Mr. Nick, in which he won immortality. Many centuries later, on meeting his one true love, D.r Parnassus made another deal with the devil, trading his immortality for youth, on condition that when his first-born reached its 16th birthday he or she would become the property of Mr. Nick.

Valentina is now rapidly approaching this ‘coming of age’ milestone and Dr. Parnassus is desperate to protect her from her impending fate. Mr. Nick arrives to collect but, always keen to make a bet, renegotiates the wager. Now the winner of Valentina will be determined by whoever seduces the first five souls. Enlisting a series of wild, comical and compelling characters in his journey, Dr. Parnassus promises his daughter’s hand in marriage to the man that helps him win. In this captivating, explosive and wonderfully imaginative race against time, Dr. Parnassus must fight to save his daughter in a never-ending landscape of surreal obstacles – and undo the mistakes of his past once and for all.”
-IMDB

The storyline revolves around a classic Faustian theme, in which Dr. Parnassus makes various bets with the Devil (played by Tom Waits) throughout his life. Looking deeper into the symbolism of the story, Dr. Parnassus and his traveling show are a metaphor for the esoteric teachings transmitted through the ages via Mystery schools. He is a human manifestation of the “path to enlightenment” of the Buddhists or the “inner-Christ” of the Gnostics. By inviting people into the magic mirror, he transports them onto the spiritual plane where they can choose between spiritual fulfillment and enlightenment (represented by a pyramid or a ladder, depending on the person) or ignorance and materialism (represented by a pub or a sleazy motel). Dr. Parnassus says “he transmits the story that sustains the universe,” which is a poetic way of saying that he is the vehicle for the secret teachings leading to illumination. He provides the path that allows the communion between humanity and divinity. The entire symbolism surrounding Paranassus’ theater is inspired by the esoteric teachings of the ancient Egyptians, Greeks, Buddhists and other esoteric schools. The stage contains many interesting occult symbols.

From Janus, the two-headed Greek god to the Masonic twin pillars and the All-Seeing Eye, Dr. Paranassus’ stage reveals the spiritual nature of the theater

Parnassus’ name is also a reference to occult initiation. His name is derived from Mount Parnassus, the sacred mountain of the Dionysus, the Greek god of mystery religious rites (also known as the roman Bacchus). Mount Parnassus also contained the famed oracle of Delphi, the mystical site where people could obtain spiritual revelations.

Dealing with the Devil

As stated above, the story of the immortal Dr. Parnassus is analogous with the evolution of the Mysteries throughout History. This story was not always perfect and numerous influences have altered its course. There is a constant exchange in the movie between Dr. Parnassus and the Devil and it ultimately becomes evident that they actually need each other in order to exist and to stay relevant. Through their back and forth, they reenact the ancient principle of duality, the constant struggle opposing good versus evil and light versus darkness. This concept is visually represented by the Masonic black and white checkerboard pattern. While explaining his dealings with the Devil to his daughter, Dr. Parnassus explains in coded terms the nature of his essence. It can be found within Buddhist monks, in Jesus Christ and even in Freemasonry. He describes his first bet with the Devil as a competition to see who could first attract twelve disciples. Dr. Parnassus shows his daughter a book containing symbolic images.

The Devil is here shown surrounded by clergymen. Parnassus says he uses the “necessities of danger, fear and the fabled bliss of ignorance” to attract disciples.
Parnassus teaches “the power of the imagination to transform and illuminate our lives”. He is here depicted as Jesus Christ with his third eye open, floating under the Eye of the Great Architect. Notice on the left a symbol that is very similar to a Masonic square and compass.

Parnassus won that first bet, but he was tricked: the Devil let him win. The Devil knew that, in due time, “nobody would want to hear Parnassus’ stories”. In other words, the Devil knew the world would spiral back into ignorance, ultimately finding itself in the spiritual state we are in today. Parnassus’ show (a metaphor for the path to Illumination) is now a strange novelty, a road-side curiosity that is ignored by most everyday people who are too busy to ponder on its teachings. Then comes Tony.

Tony Liar

Found by Parnassus’ traveling troupe hanging under a bridge, Tony Liar (whose name is based on British Prime Minister Tony Blair) may or may not have been sent by the Devil. Despite his mysterious past, Tony is integrated into to the show and he quickly uses his charming yet dishonest ways to attract more people to the show. He is, however, focused on generating more money and is not interested in people’s spiritual salvation. He finally convinces Parnassus to change the style of the show to make it more modern and to change the audience to make it more … rich.

To illustrate his point about being modern, Tony shows Parnassus a photo in a magazine of a girl making the “a-ok” sign in front of her eyes … interesting.

Tony tells Parnassus not to hide his “mind control thing”, to be bold and to reach the right kind of public. This is the result:

A tri-dimensional Masonic checkerboard pattern leads the way to the “magic mirror”, the gateway to the spiritual plane. Did Freemasonry “repackage” the ancient Mysteries in a way that would be attractive to the upper-class?

The new stage is set in an elegant shopping mall. There is also a change of philosophy: instead of asking for donations, there is box filled with money stating “Please Take Generously”. The bold marketing ploy pays off and those who experience the “other side of the mirror” come back totally fulfilled, leaving behind their money, fur coats and jewelry.

Tony himself finally experiences the joys of the spiritual plane and finds himself climbing the ladder to Illumination.

Tony is here played by Jude Law, one of the three actors who replaced Heath Ledger after his premature death.

His climb is stopped however by his troublesome past (the Russian mafia) catching up to him, and the ladder breaks. Spiritual enlightenment cannot be obtained by just anyone. He has however tasted the feeling of “being like a god”.

Heath Ledger’s Sacrifice

While The Imaginarium of Doctor Parnassus communicates an inspiring spiritual message, there is a rather grim side to the movie that relates to Heath Ledger’s death. The concept of duality is present within the movie itself where the tales of illumination are mixed with references to black magic and sacrificial death. Good and evil struggle again. The numerous references to death during the movie could be interpreted as a tribute to Heath Ledger, but, as Terry Gilliam states, none of the script was rewritten after the tragedy. Here is an excerpt of the director’s interview with Last Broadcast:

The film is terribly poignant film to watch now because of the loss of Heath.

Yes, it is.

And there are the references to death in the film that seem terribly poignant in the light of what happened. Did you re-emphasise any of that after his death?

The references to death were all in the original script, which people don’t understand. They all thought we had written this stuff after Heath had died and no, we didn’t change any of the words. And that to me is what’s so kind of scary and spooky – why was it so prescient? It seemed to be all about death, it’s so much of it.
Source

Not only there are many references to death, there are many references to sacrificial death. Knowing the odd circumstances in which Ledger lost his life, could his death be the result of a ritual sacrifice? Are there codes within the movie relating to it? This might sound improbable to the average person but, to the initiate of the occult practices of the entertainment industry, it is a definite possibility. The observations presented here might be coincidences or they might be signs placed on purpose. One thing is for sure: they are there. The first person that seemed freaked out by this was the director himself, who was apparently a friend of Ledger. In his interview with Sun Media, Gilliam stated:

“There are forces at work on this film, don’t get me into my mystical mode … but the film made itself and it was co-directed by Heath Ledger!”

Why is he implying that other forces were at work during the creation of this movie?

The Hanged Man

Right before the traveling troupe finds Tony hanging under a bridge, Dr Parnassus pulls out the Tarot card of the Hanged Man. It predicted what was about to happen but the occult significance of the card is even more relevant:

“Esoterically, the Hanged Man is the human spirit which is suspended from heaven by a single thread. Wisdom, not death, is the reward for this voluntary sacrifice during which the human soul, suspended above the world of illusion, and meditating upon its unreality, is rewarded by the achievement of self-realization.”
- Manly P. Hall, The Secret Teachings of All Ages

The Hanged Man indeed refers to the myth of the dying god who is committing the ultimate sacrifice in order to attain immortality.

“There is present in the rituals similarities of concepts or beliefs. In the ancient tradition it was believed that through the connection of the body and blood of the Slain God that the people became one with the deity. In the “Last Supper” Jesus declare that the bread and wine were his body and blood, which he gave up for the salvation of the people. Blood was believed to contain the life force. The death of the king freed the inner spirit. Through the distribution of his body and blood, heaven and earth were united and his vital energy renewed the kingdom.

The appearances of the Slain God have taken on various aspects throughout the ages. His images can be seen in the Jack-in-the-Green, the Hooded Man, the Hanged Man of the Tarot, the Lord of Vegetation, the Harvest, and the free untamed aspect of the forest.”
- Source

Anton and Valentina then find Tony hanging beneath Blackfriars Bridge.

Ledger’s previous movie was The Dark Knight in which he played The Joker – The Fool of the Tarot. Did The Fool evolve into the Hanging Man?

This scene is inspired by the actual 1982 hanging of Roberto Calvi (dubbed “God’s banker” due to his relations with the Vatican). The hanging took place under the exact same bridge. Although never publicly confirmed, there are strong theories that Roberto Calvi’s death was a symbolic and ritualistic murder carried out by the black masonic lodge called Propaganda Due, also referred to as P2. The name of the bridge is very significant:

“Mr. Calvi’s investigation indicates that his father was strangled, before his body was weighted and suspended underneath Blackfriars Bridge, probably by people who were in a small boat. The choice of bridge may have been significant: the P2 members referred to themselves as “frati neri” – black friars.”-Source

Tony’s forehead bears strange occult markings, as if to further the sense of ritualistic murder in the minds of the viewers.

Phi is a Greek letter representing the Golden Ratio, a mathematical proportion that is extremely important in Freemasonry.

Why did the directors pay homage to this symbolic murder?

Dying Young

In an eerie scene where Tony (played by Johnny Depp) guides a rich woman through her fantasy world, three boats appear bearing the pictures of Rudolph Valentino, James Dean and Princess Diana, three public figures who died prematurely.

Tony urges the rich woman to follow their path and to embark on a gondola bearing the head of Anubis, the god of the Dead. The woman sees the pictures and says:

“All these people … they’re all dead.”

Tony replies:

“Yes … but immortal nevertheless. They won’t get old or fat. They won’t get sick or feeble. They are beyond fear because they are … forever young. They’re gods … and you can join them.”

He then adds:

“Your sacrifice must be pure.”

All of this is said by Johnny Depp, the actor who replaced Heath Ledger after his premature death. The least I can say is this: strange coincidence. The esoteric meaning of the scene alludes to the dying of the old self in order to give birth to the new, spiritual self. Spiritually, however, this metamorphosis is however obtained through self-sacrifice and personal work, not by dying young. The public figures on the boats all died in “mysterious” circumstances. What is the relation?

I wrote an article last year, Princess Diana’s Death and Memorial: The Occult Meaning, in which I explore the possible sacrificial nature of her death and the “goddess” symbolism surrounding her memorial. Did the same thing happen with Ledger?

Occultists believe that occult rituals, by definition, must have an audience. The greater the number of witnesses, the better, as they give those who execute the rituals more power and potency. Was Ledger’s death a mega-ritual?

In Conclusion

Many movies in Heath Ledger’s career have revolved around occult themes, whether The Order, The Brothers Grimm or The Imaginarium of Dr Parnassus. Despite this last movie’s positive moral lesson, it almost seems to have been written with prior knowledge of his death. There is a definite aura surrounding this actor and the mysterious circumstances around his death only further this feeling. Terry Gilliam said about Heath:

“Everyone said he died young, but I think he was about 150 when he died. This was not a kid. There was wisdom there. I didn’t know where it came from – none of us knew – but everybody that was close to him says the same thing.”

People close to Ledger observed a strange transformation in him during the filming of Batman: The Dark Knight. Shortly before his death, he posed for this artwork painted by his friend Vincent Fantauzzo.

The artist depicted Heath surrounded by two ‘mind spirits’ whispering into his ears. Vincent said the whispering spirits represent Heath’s inner thoughts. What was going on in his head? Was he victim of mind control or possession? Was he sacrificed by an occult brotherhood? No positive answer can be given at this point and time. All I can say for now is Heath Ledger’s last line in the film, and his last ever as an actor: Don’t shoot the messenger.